We are all a sum of our formative years. If we're fortunate, we were surrounded by loving parents, grandparents and extended family that weave together a fabric of care, support, encouragement and guidance. The time of year is spring and my thoughts always turn to home, up on the side of a ridge in East Tennessee. I am drawn back home to walk the fields and see the flowers blooming, and revisit the places of my childhood.
I speak often about my large, loving family. We were fortunate to live next door to my maternal Grandparents; in southern terms, just across the field. Further down the lane was my Great Aunt Carrie's house. Aunt Carrie and her mother raised flowers to sell downtown on Market Square at the turn of the century...early 1900's. I have described in past blog articles that during my childhood, the remnants of all of those flower beds still existed all around our combined properties. I learned all manner of information and details about flowers, gardening and the old ways of tending the land from these relatives.
For me, this was part of the quiet strength of my own foundation. My Grandfather was a farmer who raised tobacco for a living, among other jobs. Because he was raised around flowers, he had an appreciation for them that continued throughout his life. When springtime would approach, he would often take us with him to the Farmer's Co-op to buy seeds for spring planting. Or, if you happened to be visiting their house on the days in the fall when the seed catalogs came in the mail, you sometimes could sit quietly in his lap and peruse all the colorful pages of flowers and vegetables and 'help' plan for the following season's crops.
My Grandfather was a hard person, with his own set of struggles and faults, but he was a very good grandparent. One year when I was still small, we were outside playing and heard Grandpa's tractor start up. This was the signal to race across the field and investigate what exciting, interesting task was on the day's agenda. That morning, Grandpa was tilling and seeding the fields between our house and his. When we approached, asking for the inevitable tractor ride, he obliged, taking each of us up on his lap for a turn around the field.
I can remember that so clearly, to this very day. Sitting there on his lap, surrounded by his arms, watching his large, work worn hands on the wheel of the tractor. It is one of the most secure feelings I believe I have ever felt, just being blissfully happy to be with him, experiencing riding on the tractor, chattering away, occasionally making him laugh. When my turn on the tractor came to an end, he helped me down, then knelt next to me and pulled packets of seeds from the front pocket of his overalls. The pictures on the seed packets were of daisies, all colors and varieties. There had to have been a good 100 packets, as the fields were large that he was tending. Grandpa told me the seeds had been on sale at the Farmer's Co-op and he decided he would buy them for me. Just me. It is important to note here that there are 27 grandchildren (my first cousins) in the family, so one child being singled out was not common. Yet my Grandpa did this with us at various times. He would take my brother hunting, show my sister how to use woodworking tools and he would share flowers with me and my Mom.
That year, the fields were sewn with a combination of hay and all those thousands of daisy seeds. It looked like something out of a movie when the flowers bloomed...white ones, pink ones, yellow, pale blue...and a few black-eyed Susans scattered about. I would come home with arm loads of bouquets daily, there were so many of them blooming.
Why is this important enough to write a blog article about it? I could say it is as simple as it being a lovely childhood memory and that would be true. I could leave it there and this would still be an enjoyable post to write and read. Yet it was more than that. Growing up in a home with an absent father, my Grandpa became our primary father figure. In later years this would also grow to encompass all five of my Uncles, but to begin with, my Grandpa was my first male hero.
That one summer where he did something that he probably didn't spend much time thinking about, was a moment where I was shown that small gestures matter. It was also a moment where I felt loved in that unique manner that all small children accept as their due. I was loved, cherished and cared for to the point that this busy, oftentimes gruff and brusque man took time to do something whimsical and thoughtful in a manner he knew would absolutely delight my little girl's heart.
As the years went forward, he would bring flower bulbs to my Mom and I to plant around our property. Sometimes they were the old fashioned, familiar flowers such as daffodils, muscaris (we called them miniature grape hyacinths), peonies, hydrangeas, and my favorite flower, Lily of the Valley. Occasionally they would be something that caught his eye because they were unusual. It was his awkward, silent way of showing us he cared, I think. Now, as an adult, when springtime approaches the Tennessee Valley and everything blooms fresh and new, I feel a sense of closeness to my roots. When I see everything greening up and all the flowers blooming, I automatically reconnect with those childhood memories.
Scents and music are the strongest triggers for memories, so it is no small wonder that I am most at home during the spring and summer months. When life is fast paced and hectic, I think we all revisit those quiet moments in our minds. Clearly in my mind will always be the bright memory of a little girl standing next to a tall Grandpa with his hands full of flower seed packets, and a sweet moment just for that one little girl. It reminds me that I am loved unconditionally and that the size of the field where those flowers were sewn that spring, vast and endless to a child's eye, represented a wide open vista. Even at that young an age, I was aware of underlying messages that God/Universe sends us. That day, the message was simple. "You are loved." And it was spelled out in daisies from the hand of a Grandpa to a Granddaughter.
As an adult, I have carried that moment with me, deep in my memories and heart. I have paid the moment forward regularly, paying attention to small things that matter to those around me. I am a sum of my childhood and my life experiences, and it makes me smile to finish this specific post and realize that once again, the reason so many people comment on my loving nature is because of the solid foundation I was given in childhood.
If you are reading this blog post, take a moment to cast your mind back and find a special memory to focus on where you felt that same warm blanket of love surrounding you. It may not be from your childhood; indeed, it could be from a week ago, but if you take a moment to concentrate, you will find it. With enough time and thought, you will find many such moments, for you are equally beautiful and equally deserving of the message, spelled out in daisies or in colorful script, or in nice, simple clean lines...that....You Are Loved.
Healing Morning is a space to discuss those indefinable moments, topics, thoughts, that allow us to grow on a spiritual, personal and, I hope, global level. I hope to remark upon holistic healing, spiritual concepts, and stumble upon topics that inspire, intrigue and push us all to regard life in a different manner from having read what is posted.
Showing posts with label Grandparents. Show all posts
Showing posts with label Grandparents. Show all posts
Sunday, May 9, 2010
Sunday, November 22, 2009
Artistic hands
The holidays are upon us, and they bring to mind memories of childhood. I am aware that I write about my family a great deal. I guess this is natural, as they gave me my firm foundation in life. As children, we were fortunate to live next door to my maternal grandparents. My Grandfather was a farmer who raised tobacco in East Tennessee. He had a barn and an old smokehouse where for much of my childhood, he continued the old ways of doing things. His mother and sister, my Great-Grandmother and Great Aunt, raised flowers to sell downtown on Market Square Mall and that was the reason they all were so talented at making things with their hands. The winter months had to be supplemented with sales of something, and that something was holiday decorations, wreaths and dried flowers.
When the holidays approached, sometime after the first few frosts had hit, it was time to make Christmas wreaths. My Grandpa was a master at this. He would go into the woods to cut grapevines for the base of the wreaths, evergreens such as hemlock (although they called it cedar), boxwood and pine branches, holly leaves and berries, and gather pinecones for various decorations. Mistletoe would be shot out of the tops of trees after all the winds had stripped the branches bare. This was always an opportunity for small grandchildren to tag along and chatter his head off as he gathered everything into big burlap bags.
Bags and bags of greenery would be carried back to the barn, set out on tables and the work would begin. Grapevines would be cut and wound into circles for the base of the wreaths. Strong baling twine would be used to secure everything to the grapevine bases. My task, because my hands were too small to pull the twine tightly enough, was to pull small swatches of evergreens from the branches and hand them to my Grandpa as he built the wreaths.
He would have buckets of water set out that he would pour metalic paint - gold, silver, bronze - onto the surface. Pinecones would be tied to twigs with string and dipped down into the water, emerging gilded by the metallic paint, then hung over a handy nail on the wall of the barn to dry. The same would be done at times with twigs of holly leaves and berries, wild grass seed pods and pine cones. I always loved that particular part of the whole process, watching the dark brown pine cones disappear into the water and come out shiny silver or gold.
The quiet gloom of the barn was peaceful and frosty cold in the early winter days. My brother and sister usually grew bored with the wreath making process in a short period of time, and would escape to play in the fields. I tended to stay there for hours on end, just sitting quietly, watching as the wreaths grew from such simple, humble beginnings into full, glossy, fragrant works of art. Chatter was not encouraged too much once we got back to the barn, but from what I remember, my Grandpa did enjoy the small jewels of wisdom that would come from my child's mind when I was "helping" him make those wreaths.
To this day, I can close my eyes and picture the ground floor of the barn and those work tables full of winter greenery. My Grandpa's hands were huge to my little girl's eyes and strong and tough enough to handle the prickly evergreens and holly branches with a deftness that to this day amazes me. He would work quickly, pulling that tough twine tight to bind the greenery to the grapevine hoops, scattering the decorative pinecones and berries in random patterns. Sometimes he would create something on a whim, such as a wreath made entirely out of straw. His eye for proportion and texture would serve him well as an artist today, I am sure.
For me, as a small child, what mattered most was getting the chance to just be with him and experience this important part of the holidays. The earthy scents of the barn would be spiked with the sharp, clear, tangy tones of the evergreen clippings. The chemical smell of the metallic paints would also punctuate the air. Yet above all of this was the absolute stillness of being out in the country on a winter morning. The winds whispering through the open barn doors, birds singing, squirrels chattering in the trees, the sounds of distant trains, and the occasional conversation shared between a three year old little girl and a Grandpa in his work overalls, who to that little girl, could work magic with his hands.
Years later, my Mom and I tried our hand at making some Christmas wreaths and I was astonished at how challenging a task it truly is. Our results were pretty, but tended to shed some greenery here and there where we failed to pull the twine tightly enough.
It is an art that is becoming fully mechanized these days, the making of wreaths. I find that to be a bit of a shame. There were occasional years when lots of family would visit around Christmas and we would all sit around and make wreaths; this was always a wonderful thing, full of the typical laughter that occurs when family comes together. The fact is, making holiday wreaths isn't for the faint of heart - it requires dexterity, long hours of labor, strong hands and an exacting eye for placement of greenery. I can understand why they are now being mass produced. While the ones I've made would never stand up to my Grandfather's critique, I do retain the knowledge of what I consider to be a noble art.
When I do attempt to make wreaths on my own, it is always with the memories of watching my Grandpa flowing through my mind, reminding me of simpler times spent in the barn, watching a true artist at work. He would scoff at being called such a title, but this is what I see as a strong truth. I think he enjoyed in a very deep manner the beauty he produced and the enjoyment his wreaths gave to so many. He would have called himself a simple farmer, and he was that very thing. My mind also saw him as a man with artistic hands, capable of producing beautiful works of art each holiday season.
When the holidays approached, sometime after the first few frosts had hit, it was time to make Christmas wreaths. My Grandpa was a master at this. He would go into the woods to cut grapevines for the base of the wreaths, evergreens such as hemlock (although they called it cedar), boxwood and pine branches, holly leaves and berries, and gather pinecones for various decorations. Mistletoe would be shot out of the tops of trees after all the winds had stripped the branches bare. This was always an opportunity for small grandchildren to tag along and chatter his head off as he gathered everything into big burlap bags.
Bags and bags of greenery would be carried back to the barn, set out on tables and the work would begin. Grapevines would be cut and wound into circles for the base of the wreaths. Strong baling twine would be used to secure everything to the grapevine bases. My task, because my hands were too small to pull the twine tightly enough, was to pull small swatches of evergreens from the branches and hand them to my Grandpa as he built the wreaths.
He would have buckets of water set out that he would pour metalic paint - gold, silver, bronze - onto the surface. Pinecones would be tied to twigs with string and dipped down into the water, emerging gilded by the metallic paint, then hung over a handy nail on the wall of the barn to dry. The same would be done at times with twigs of holly leaves and berries, wild grass seed pods and pine cones. I always loved that particular part of the whole process, watching the dark brown pine cones disappear into the water and come out shiny silver or gold.
The quiet gloom of the barn was peaceful and frosty cold in the early winter days. My brother and sister usually grew bored with the wreath making process in a short period of time, and would escape to play in the fields. I tended to stay there for hours on end, just sitting quietly, watching as the wreaths grew from such simple, humble beginnings into full, glossy, fragrant works of art. Chatter was not encouraged too much once we got back to the barn, but from what I remember, my Grandpa did enjoy the small jewels of wisdom that would come from my child's mind when I was "helping" him make those wreaths.
To this day, I can close my eyes and picture the ground floor of the barn and those work tables full of winter greenery. My Grandpa's hands were huge to my little girl's eyes and strong and tough enough to handle the prickly evergreens and holly branches with a deftness that to this day amazes me. He would work quickly, pulling that tough twine tight to bind the greenery to the grapevine hoops, scattering the decorative pinecones and berries in random patterns. Sometimes he would create something on a whim, such as a wreath made entirely out of straw. His eye for proportion and texture would serve him well as an artist today, I am sure.
For me, as a small child, what mattered most was getting the chance to just be with him and experience this important part of the holidays. The earthy scents of the barn would be spiked with the sharp, clear, tangy tones of the evergreen clippings. The chemical smell of the metallic paints would also punctuate the air. Yet above all of this was the absolute stillness of being out in the country on a winter morning. The winds whispering through the open barn doors, birds singing, squirrels chattering in the trees, the sounds of distant trains, and the occasional conversation shared between a three year old little girl and a Grandpa in his work overalls, who to that little girl, could work magic with his hands.
Years later, my Mom and I tried our hand at making some Christmas wreaths and I was astonished at how challenging a task it truly is. Our results were pretty, but tended to shed some greenery here and there where we failed to pull the twine tightly enough.
It is an art that is becoming fully mechanized these days, the making of wreaths. I find that to be a bit of a shame. There were occasional years when lots of family would visit around Christmas and we would all sit around and make wreaths; this was always a wonderful thing, full of the typical laughter that occurs when family comes together. The fact is, making holiday wreaths isn't for the faint of heart - it requires dexterity, long hours of labor, strong hands and an exacting eye for placement of greenery. I can understand why they are now being mass produced. While the ones I've made would never stand up to my Grandfather's critique, I do retain the knowledge of what I consider to be a noble art.
When I do attempt to make wreaths on my own, it is always with the memories of watching my Grandpa flowing through my mind, reminding me of simpler times spent in the barn, watching a true artist at work. He would scoff at being called such a title, but this is what I see as a strong truth. I think he enjoyed in a very deep manner the beauty he produced and the enjoyment his wreaths gave to so many. He would have called himself a simple farmer, and he was that very thing. My mind also saw him as a man with artistic hands, capable of producing beautiful works of art each holiday season.
Labels:
artistic,
Christmas,
crafts,
farmer,
grandchildren,
Grandparents,
holiday,
wreaths
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